Music supervision, creative mentoring & advisory from Anne Booty, music supervisor on films for Yorgos Lanthimos & other award-winning productions across film, TV & advertising.
Anne Booty is a UK based music supervisor, writer and musician with over 20 years experience in the industry. Her supervision work includes Yorgos Lanthimos’ Poor Things, Kinds of Kindness and Bugonia, TV work for the BBC and Channel4, and advertising campaigns for brands such as Adidas, Nike and Jaguar.
Alongside music supervision, Anne works with a limited number of clients each month across advisory sessions, mentoring and retreat weekends. If you’re looking for clarity, creative direction or industry insight, please get in touch.
A focused one-to-one session for artists and labels who are seeking guidance to significantly increase their exposure to sync opportunities
Clear, practical insight drawn from real-world experience across film, television and advertising.
Music Advisory
An ongoing advisory engagement for those developing work over time and seeking deeper guidance and continuity.
Support, feedback and strategic input as projects and ideas evolve.
Creative & Industry Advisory
A private, immersive retreat at our seaside townhouse on the South Coast of England.
Time away to think, reset and gain focused direction through one-to-one mentoring.
Creative Retreat Weekends
“Anne is one of those rare people who makes everything feel easier, smarter, and more thoughtful the moment she’s involved. She consistently brought a sharp creative instinct, deep music knowledge, and an incredible ability to navigate the complexities of music supervision and licensing with both precision and ease.”
“We loved working with Anne to build the eclectic musical palette for Brides. Exploring different cultures and countries through the eyes of British teenagers meant we needed a variety of tracks that could speak to both the emotional and physical journey of our protagonists. Anne took great care suggesting and sourcing tracks that not only met the director’s vision perfectly, but also worked within our budget and timeframe.”